class: title, smokescreen, shelf, no-footer background-image: url(austin-chan-ukzHlkoz1IE-unsplash.jpg) # Images, Power, & Politics ### Part 2<br />September 5, 2022 --- class: roomy # Looking and Power * The "right to look" * Visibility: Power may be negotiated by making things visible * "Shining a light on injustice" * Recognition and democracy * Invisibility * Eluding surveillance * Images themselves have power (to persuade, to inspire, to injure) --- class: roomy # Keywords Review * Culture * Representation * Mimetic * Constructed * Myth of Photographic Truth * Intertextuality * Indeterminacy * Polysemy --- class: title # Ekphrasis --- class: title fogscreen shelf background-image: url(la_tomatina.png) # An Exercise in Ekphrasis --- class: title background-image: url(la_tomatina.png) ??? A reveler plays in tomato pulp during the annual "La Tomatina" food fight festival in Bunol, Spain, August 31. REUTERS/Juan Medina --- class: title background-image: url(indigenous_womens_day.png) ??? A Guarani indigenous woman covers a Brazilian flag in red paint during a protest marking International Indigenous Women's Day and Amazon Day, celebrated on September 5, and in defense of the Amazon and the Brazilian biomes, in Sao Paulo, Brazil. REUTERS/Amanda Perobelli --- class: title background-image: url(play_dc_fountain.jpg) ??? Micaela Montelara plays in the fountain at Georgetown Waterfront Park during a heatwave in Washington, D.C. on August 13, 2021. Brendan Smialowski / AFP / Getty --- class: roomy The meaning of an image is: * contextual<br><br> -- * polysemic<br><br> -- * contested --- class: title # Semiotics --- class: title background-image: url(austin-chan-ukzHlkoz1IE-unsplash.jpg) --- class: col-2 compact # Ferdinand de Saussure   --- class: title background-image: url(what_is_sign.png) --- class: col-2 # The Signifier (Sr) * The _physical form_ of the sign.<br><br> * pencil marks<br><br> * vocal sounds<br><br> * pixels on a screen<br><br> * The part of the sign that we perceive with our senses.<br><br><br><br><br><br> --- class: col-2 background-image: url(snow.jpg) -- ## <span style="color:black;">SNOW</span> --  --- # The Signified (Sd)<br /><br /> * The Signified is not the REFERENT (the "Thing Itself")<br /><br /> * Instead, the signified is the <span style="color:#FF2600; text-decoration:underline;">thought</span>, <span style="color:#3DACFF; text-decoration:underline;">concept</span>, or <span style="color:#00D100; text-decoration:underline;">mental image</span> we may have of the referent.<br /><br /> * The signified is attached to or “conjured up” by the signifier. --- class:title background-image: url(sign_not_referent.png) --- class: center # Wasp!!!!!!  --- class: roomy <br><br><br><br> * We can call physical marks by the name “signifier” <span style="color:#00D100;">_only when and if_</span> they conjure a <span style="color:#FF2600;">signified</span> to form a sign. -- * If they don’t, then they are NOT signifiers. --- class: img-left  ### Is this a signifier? -- It is, _**if**_ and only if, it conjures a mental concept (signified), such as: -- * A map to my apartment.<br><br> -- * A woman reclining on a chair. --- class: title # A Quick Game of<br>PICTIONARY<sup>©</sup> --- <br /><br /> * Pictionary is the joint struggle to create a sign, such that the marks you make on the page become a signifier that “conjures up” the appropriate signified in the mind of your partner.<br /><br /> -- * You may just end up making marks on the page that never become signifiers… <span style="color:red;margin-left:15%;">e.g. WHAT THE _*&%!!#_ ARE YOU DRAWING??!!??</span> --- class: col-2 ## Signs are: * Abstract<br><br> -- * Arbitrary *and* Conventional<br><br> -- * Ambiguous --- class: fit-h1 # Signs are <span style="text-decoration:underline">NOT</span> the concrete things that they represent… --- -- #### There is no <span style="color:red;">_necessary_</span> relationship between the signifier and the signified. -- * For example, there is no reason why we use “d” “o” “g” to refer to that cute fuzzy thing that’s yapping at the door.<br /><br /> -- * Instead, we use “dog” because of our <span style="color:red;">CONVENTIONS...</span> --- # Adrian Piper, Catalysis III & IV (1971)  Denotative vs Connotative Meaning (Barthes) --- <br><br><br> Charles Sanders Peirce developed a schema for understanding the different ways a sign can relate to its referent, asking: >How <span style="color:#3DACFF">_MOTIVATED_</span> is the sign by the 'thing itself'? --- class: center # Degrees of Motivation (A continuum)<br /><br /> ## Symbol ↔ Icon ↔ Index --- class: col-2 # Symbol -- * _**LOW**_ Degree of Motivation<br><br> * The relationship between the sign and its referent is <span style="text-decoration:underline;">completely</span> <span style="color:#00D100;">ARBITRARY</span> or based on <span style="color:#00D100;">SOCIAL CONVENTION</span>. Ex. The word “Spoon” or . . . <br> --- class: compact # Icon -- * _**MODERATE**_ Degree of Motivation<br><br> * A sign which <span style="color:#00D100;">RESEMBLES</span> or <span style="color:#00D100;">LOOKS LIKE</span> its referent. --  --- class: col-2 # [“Things I Have Drawn (Instagram)”](https://www.instagram.com/thingsihavedrawn/)  --  --- class: col-2 # Index * _**HIGH**_ Degree of Motivation * A sign that has an "existential" relatoinship, "co-existing" with its referent. * It is often <span style="color:#00D100;">PHYSICALLY PRODUCED</span> by its referent.<br /><br /> * Examples: * Smoke is an index of fire * Sneezing is an index of a cold * A fingerprint is an index of a thief  ??? Existential: affirming or implying the existence of a thing. having being in time and space. --- class: img-right center # What about a photograph? -- class: img-left  My old pup, Cricket (RIP)? ??? Photographs - iconic - indexical (light rays bouncing off); traditional form of photography, the technique in which light rays reflecting off objects pass through a lens and register an imprint on a medium such as silver halide film (or, in the case of digital photography, a digital chip the "having been there/then" Myth of photographic truth and the belief in the machine recording of an image (as opposed to the painter's interpretive hand) provides a mimetic mirroring of the world as it is (positivism) New forms of photorealistic images --- ## For next class: * Read: * Casey, Brenna M. (2021, August 29). "[Art, Power, and Profit at Duke University](https://www.theassemblync.com/long-form/art-power-and-profit-at-duke-university)" The Assembly. [PDF version](https://sakai.duke.edu/access/content/group/VMS-202D-001-F22/Readings/Art%2C%20Power%2C%20and%20Profit%20at%20Duke%20University.pdf) * _Practices of Looking_, Chapter 2 (pp. 51 – 74)